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Learn · Chapter 6 of 9

Mix and effects.

A balanced mix: the bass drier, the chords and the lead set back, a little echo on everything, DRIVE warming the chain, the reverb a HALL, and the kick kept dry with its pad's own send.

About 12 minutes · 20 steps

Start from here

The FM-1 below starts where chapter 5 ended, so you can begin here.

  1. Step 1, now: Turn SELECT one click right: MIX.

    MIX is the mixer: a strip per track, with MAIN for the whole mix on the right.

    SELECTManual: The strips
  2. Step 2: Turn ALGORITHM to the ACID strip.

    On a strip, K1 is LEVEL, K2 MUTE, K3 SOLO and K4 SEND: how much goes to the effects.

    ALGORITHMManual: The strips
  3. Step 3: Hold SEL and turn K4 SEND down to 80.

    Less of the bass in the reverb keeps the low end tight and dry.

    SELK4

    Tip: Held, SEL moves it ten at a time: two clicks. On its own, one click is 1 %. Every track has a SEND, the kit's pads too.

    Manual: SEND
  4. Step 4: Turn ALGORITHM to SOFT and K1 LEVEL down to 60.

    The chords sit behind the bass, not on top of it.

    ALGORITHMK1Manual: The strips
  5. Step 5: Turn ALGORITHM to VIBES and K1 LEVEL down to 72.

    Room for the lead you play in the next chapter, without it jumping out.

    ALGORITHMK1Manual: The strips
  6. Step 6: Turn ALGORITHM to MAIN and K2 ECHO up to 12.

    MAIN's four knobs shape the whole mix. ECHO sends it into the delay.

    ALGORITHMK2Manual: MAIN
  7. Step 7: Press FX.

    The effects run in one chain for every track, left to right as the top row shows.

    FXManual: The FX editor
  8. Step 8: On DRIVE, turn K4 to ON.

    DRIVE is first in the chain, so a touch of it warms everything after it.

    K4

    If it doesn't work: The sound dips for a moment: DRIVE fades in. REVERB, DELAY, CHORUS and PHASER switch without the dip once they have been on.

    Manual: The FX editor
  9. Step 9: Turn K1 GAIN down to 21.

    Warmth, not distortion: you should feel it more than hear it.

    K1Manual: The FX editor
  10. Step 10: Turn ALGORITHM to REV, then K3 TYPE to HALL.

    A bigger space than ROOM: the clap and the chords get a tail.

    ALGORITHMK3Manual: The FX editor
  11. Step 11: Turn K1 DECAY up to 50.

    The tail lasts a little longer, about a beat at this tempo.

    K1Manual: The FX editor
  12. Step 12: Turn ALGORITHM back to DLY, then K2 TIME up to 51.

    Shorter echoes: they tuck in behind the notes instead of trailing a beat behind.

    ALGORITHMK2Manual: The FX editor
  13. Step 13: Press FX again.

    Back to MIX. The chain's order and every value are saved with the project.

    FXManual: The FX editor
  14. Step 14: Tap HOME, then turn ALGORITHM to DRUMS.

    The kick should stay out of the reverb: that is the pad's own SEND, not the track's.

    HOMEALGORITHMManual: The PAD menu
  15. Step 15: Press SEQ, then black key 1 to pick P.KICK.

    The step grid, with the kick's row picked.

    SEQ1F♯3Manual: The step grid
  16. Step 16: Press SEL: the PAD menu.

    The pad's settings: its sound, tune, decay, level, choke and send.

    SELManual: The PAD menu
  17. Step 17: Turn ALGORITHM to SEND, then K1 one click right: 0 %.

    SEND starts on TRACK (the track's own). One click up is 0 %: the kick stays dry and punchy.

    ALGORITHMK1

    Tip: TRACK sits below 0 %. From 0 % each click is 1 %; hold SEL for ten at a time.

    Manual: The PAD menu
  18. Step 18: Tap HOME twice: back to TRACKS.

    Out of the menu, out of the grid. A tap of HOME always leads home.

    HOMEHOMEManual: The panel
  19. Step 19: Press PLAY and listen.

    The kick hits dry, the clap and chords sit in a hall, a little echo trails the rest.

    PLAYManual: SEND
  20. Step 20: Press PLAY to stop.

    Mixed. Next, the lead.

    PLAYManual: The panel

Chapter 6 · the end

What you learned.

  • MIX has a strip per track: K1 LEVEL, K2 MUTE, K3 SOLO, K4 SEND into the effects.
  • MAIN's four knobs shape the whole mix: SPACE, ECHO, DRIVE, FILTER.
  • FX opens the effects: one chain for every track, run left to right; K4 switches each one on.
  • A kit's pads have their own SEND in the PAD menu; holding SEL moves a value ten at a time.

Checkpoint

The project as this chapter leaves it, saved by the FM-1 itself. Compare it with yours, or carry on from it.

mix-end.groove

Next chapter

7 · Lead and takes

Play over the loop, keep the take with SHIFT + SAVE, record knob moves, undo.

Chapter 7: Lead and takes